Artificial Music Critics



This paper proposes a framework for the simplification of the development of Artificial Art
Critics. We provide two basic elements: an architecture that consists of two main modules for the pre-processing and classification of an artwork, and a validation methodology that
consists of several stages, such as the objective evaluation of an artwork (with targets like
author or style identification) and a dynamic evaluation that implies the integration of the
Artificial Art Critic into a multi-agent environment. We also present some experimental
results concerning the first stage of the validation methodology. The results show the ability of the system to identify the author of a musical piece and its adaptive capacity to determine the relevant features of the musical piece.


Evolutionary Art

Related Project

NEvAr - Neuro Evolutionary Art


Generative Art, December 2003

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Cited by

Year 2012 : 1 citations

 **Galanter, Philip. "Computational aesthetic evaluation: past and future." Computers and Creativity. Springer Berlin Heidelberg, 2012. 255-293.

Year 2006 : 1 citations

 Zhang Kun and Zhang Songlin, On Generative Art and its Application, Computer Engineering and Applications, Vol.42 No.20 P.47-50, 2006

Year 2004 : 2 citations

 Zhang Kun, Wang Bowei. "Spatial Forms Generated From Shao Xing Culture?. Generative Art"2004. Milan, Italy. 2004

 McFarlane, Ross. "Creating GenUIne." (2004).